Browsing articles in "audio"
May 6, 1993
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Transitory (1993)

• The School of the Art Institute of Chicago, MFA Show, Chicago, IL, 1993

May 8, 1991
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The New Pandora’s Box – soundtrack (1991)

Soundtrack produced for the installation The New Pandora’s Box during a residency at Sculpture Space in Utica New York in 1991.

Voices: Richard Baillargeon, Keith Donavan, Lorne Falk, Sylvie Gilbert, Noreen Gobeille, Lisanne Nadeau, Bille Ritchie, Ruth Scheuing, Jaclyne Shoub, Shawn Thomas, David Ulmoltz, Keith Wallace.

• near death experience 2:27 min

• hunting 4:09 min

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The New Pandora’s box – an installation-projection about television.

 

I left Canada for England with a grant from the Canada Council – August 1, 1990 on the first leg of a world research trip. The idea was to revisit the myth of Pandora’s Box and to capture ‘evils of the world’ through video and sound recordings. The invasion of Kuwait by Iraq on August 2 forced me to change my itinerary and to reconsider the parameters of my research. During the 40 days of my travel, I saw a world glued to television sets, waiting for something to happen. Television as medium evolved to be both topic and base for my project.

 

The Installation was made of 5 elements, four buoys: rocking structures made of wood and the control cabinet: the disc. Each buoy was fitted with a slide projector and a cassette deck connected to the disc. Visitors could activate projections and soundtracks by opening the drawers of the cabinet.

 

The slides and the soundtracks were constructed with material garnered from television itself, photo stills and sound bites taken from talk shows and daytime TV.

 

The construction of The New Pandora’s Box took place at Sculpture Space from December 2, 1990 to January 30, 1991. Operation Desert Storm began with an aerial bombardment on 17 January.

 

Dimensions
4 pieces: 75 in h. X 24 in w. X 20 in d.
1 piece: 24 in dia. X 5 in h.
Soundtracks duration: 45 minutes
240 slides

 

More info: http://juicyheads.com/jh/articleSearch2.php?i=155&m=P#.TtJ0rGCt-FV

 

Mar 6, 1991
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La boîte de Pandore (1991)

• Galerie d’art Louise et Reuben-Cohen de l’Université de Moncton, NB, 9 juillet – 31 août 2008
• A.K.A. Saskatoon, SK, June 7 – June 29 1991
• Galerie Sans Nom, Moncton, NB April 2 – April 23 1991

Created in January and February 1991 during a residency at Sculpture Space,Utica, NY, an internationally reknowned artist-in-residence program for sculptors.

The New Pandora’s box – an installation-projection about television.

I left Canada for England with a grant from the Canada Council – August 1, 1990 on the first leg of a world research trip. The idea was to revisit the myth of Pandora’s Box and to capture ‘evils of the world’ through video and sound recordings. The invasion of Kuwait by Iraq on August 2 forced me to change my itinerary and to reconsider the parameters of my research. During the 40 days of my travel, I saw a world glued to television sets, waiting for something to happen. Television as medium evolved to be both topic and base for my project.

The Installation was made of 5 elements, four buoys: rocking structures made of wood and the control cabinet: the disc. Each buoy was fitted with a slide projector and a cassette deck connected to the disc. Visitors could activate projections and soundtracks by opening the drawers of the cabinet.

The slides and the soundtracks were constructed with material garnered from television itself, photo stills and sound bites taken from talk shows and daytime TV.

The construction of The New Pandora’s Box took place at Sculpture Space from December 2, 1990 to January 30, 1991. Operation Desert Storm began with an aerial bombardment on 17 January.

Dimensions
4 pieces: 75 in h. X 24 in w. X 20 in d.
1 piece: 24 in dia. X 5 in h.
Soundtracks duration: 45 minutes
240 slides

http://dandatadugas.tumblr.com/post/141330732645

May 8, 1990
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Cowboy-Caruso – soundtrack (1990)

Cowboy-Caruso est une figure mythique qui veut le meilleur des deux mondes; la liberté et les grands espaces du cowboy ainsi que le raffinement du monde de l’opéra. L’oeuvre est basée sur l’histoire de Ted Wilson, un ancien cowboy du Texas et travailleur dans les champs pétrolifères du Nord de l’Alberta qui est devenu chanteur d’opéra dans les rues de Calgary.

• mescaleros 3:02 min

• sleeping 3:26 min

• gun 3:27 min

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Mar 6, 1990
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Cowboy Caruso (1990)

Saint Mary’s Unniversity Art Gallery Halifax, NS February 8 – March 11 1990

Cowboy-Caruso est une figure mythique qui veut le meilleur des deux mondes; la liberté et les grands espaces du cowboy et le raffinement du monde de l¹opéra. Basé sur l’histoire vraie de Ted Wilson ancien cowboy au Texas, travailleur dans les champs pétrolifères du Nord puis chanteur d¹opéra dans les rues de Calgary.

Deux structures reliées électriquement, l’une COWBOY, l’autre CARUSO engage via le spectateur un dialogue chaotique. Quatre tiroirs en forme de quart de lune peuvent être tirés hors de Cowboy. Chaque tiroir a une fonction spécifique: 1. déclenche le système sonore; le haut-parleur droit est installé dans Cowboy et le haut-parleur de gauche dans Caruso. 2. déclenche un baril tournant installé à l¹intérieur de Caruso. 3. déclenche un projecteur diapositives installé dans Cowboy. 4. déclenche un trophée tournant sur Cowboy. La structure Caruso est déposée sur une table de métal. Quatre chaises sont installées face à quatre ouvertures. Lorsque concordent les ouvertures dans le baril tournant avec les ouvertures sur la structure elle-même une scène mélancolique, éclairée avec des black light apparaît puis disparaît lentement. Il s¹agit d¹une forêt miniature faite de bois de chevreuils où pendent des médaillons photographiques. Sous la table sont éclairés avec des black light cinq fers à cheval fluorescents. La projection de diapositives vertes est constituée de gros plans de dessins de travaux quotidiens du cowboy. La bande sonore comprends des airs de l’ouest chantés par Ted Wilson. Le tout fut manipulé en studio.

Installation
2 pièces: 48 in. dia. X 12 in. h.

base de Cowboy: 48 in dia. X 48 in. h.

base de Caruso: 48 in. h. X 24 in. w. X 24 in. d.

May 8, 1989
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Ça parle allemand dans nos têtes (1989-1990)

Audio crée au Banff Centre en 1989-1990

• vostell 2:57 min

• dolby 3:08 min

• ready made 3:17 min

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May 8, 1988
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Naïvement (1988-89)

audio created in 1988-1989:

• ici on tue l’ennui 3:07 min

• i use to be 2:45 min

• get married 4:10 min

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Daniel H. Dugas

Artiste numérique, poète et musicien, Daniel H. Dugas a participé à des expositions individuelles et de groupe ainsi qu’à plusieurs festivals et événements de poésie en Amérique du Nord, en Europe, au Mexique et en Australie. Son treizième recueil de poésie « émoji, etc. » / « emoji, etc. » vient de paraître aux Éditions Basic Bruegel.

Daniel H. Dugas is a poet, musician, and videographer. He has participated in solo and group exhibitions as well as festivals and literary events in North America, Europe, Mexico, and Australia. His thirteenth book of poetry, 'émoji, etc.' / 'emoji, etc.' has been published by the Éditions Basic Bruegel Editions.

Date : Mars / March 2022
Genre : Poésie / Poetry
Français / English

émoji, etc. / emoji, etc.

Date: Mai / May 2022
Genre: Vidéopoésie/Videopoetry
Français/English

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