Browsing articles tagged with " Muttart"
May 7, 1994
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Acadia Woods (1994)

Statement
In 1844 when Samuel Morse sent the first telegram in the United States, he breathed life into communication technology. That first message between Washington and Baltimore read, “What hath God wrought.”

A few years later, Henry David Thoreau wrote in Walden: …We are in great haste to construct a magnetic telegraph from Main to Texas; but Main and Texas it may be, have nothing important to communicate. …

In the sound track of Acadia Woods, we have extracted portions of actual telephone conversations between family and friends. Through these everyday conversation, distances become lessened; the separations created through time and space shrink. Under these circumstances, the mundane crosses over into the profound.

The re-creation of telephone lines with tin cans (the sound track plays inside headphones installed in the cans) is an attempt to relocate the technology in its context of a tool, second in nature to communication.

Valerie LeBlanc and Daniel Dugas
Calgary, AB


Excerpt form Broad Casting for reels (1996)

The tape Acadia Woods 1995 was also designed as an audio work complete in itself. It is a patchwork of stories and sounds with the Acadian anthem ‘Ave Marie Stella’ running throughout. Portions of long distance telephone conversations between family and friends change speed with the different energy levels of the people talking and according to their concerns. Seasons and the passage of time are indicated in the conversations and sound effects. Everyday philosophies take on added significance through the link of the telephone, which is sometimes the only way to really feel out what is happening at a distance.


This audio portion of the project was realized at the Banff Centre through a grant from Chameleon Arts Society, Calgary, AB (Spring 1994)

Two versions of the project were realized:
Acadia Woods (east), CMARTS – exposition – retrospective, August 12 – August 21, 1994 (using the telephone pole installation format)

Acadia Wood (west), Muttart Public Art Gallery, during the exhibition ‘Impact of Technology’, January 2 – February 4, 1995 (using a shuffleboard-style high end table)

The project was also broadcast, presented at the following venues:
1994 Acadia Wood, CKUA – Radio Network, Edmonton, AB
1996 Broad Casting for reels 007, CKDU FM, Centre for Art Tapes Halifax, NS
1998 AUDIO / VIDEO, GAUM, Moncton, NB


Wood, tin cans, sound track48 in. h. X 20 in. w. X 96 in. d.

Daniel H. Dugas

Artiste numérique, poète et musicien, Daniel Dugas a participé à des expositions individuelles et de groupe ainsi qu’à plusieurs festivals et événements de poésie en Amérique du Nord, en Europe, au Mexique et en Australie. Son neuvième recueil de poésie L’esprit du temps / The Spirit of the Time vient de paraître aux Éditions Prise de parole.

Daniel Dugas is a poet, musician and videographer. He has participated in solo and group exhibitions as well as festivals and literary events in North America, Europe, Mexico and Australia. His ninth book of poetry: L’esprit du temps / The Spirit of the Time has just been published by Les Éditions Prise de parole.

Daniel Dugas es poeta, músico y videocreador. Ha participado en exposiciones individuales y colectivas, festivals y eventos literarios en Norteamérica, Europa, México y Australia. Acaba de publicar su noveno poemario, L’esprit du temps / The spirit of time (Les Editions Prise de parole).

L’esprit du temps / The Spirit of the Time est un projet de transmutation du paysage publicitaire en paysage poétique. Ce livre est à la fois un livre de photographie, un recueil de poésie et un essai lucide mais ludique sur notre société matérialiste. Il a été produit en numérique et imprimé en quantité limitée.

Date : Décembre 2015
Genre : Poésie
Collection : Poésie
ISBN : 9782894239629

Éditions Prise de parole

http://www.prisedeparole.ca/auteurs/?id=148

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