Monarchie-Monchhichi-Monarchichi (2011)

Monarchie-Monchhichi-Monarchichi (above), published in Her Royal Majesty — A Paris-based literary arts magazine , Nov. 1, 2011.  HRM is an international literary and arts review edited, designed and defined by a collection of writers and artists living in Paris.  The thematic for issue 11: Doubles.

While reading Language of Art by Nelson Goodman, I came across a description which I thought worked well with the image. Here it is below. I have replaced the Duke and the Duchess of Wellington for the Prince and Princess of Wales.

What a picture is said to represent may be denoted by the picture as a whole or by a part of it. Likewise, a picture may be a soandso-picture as a whole or merely thought containing a soandso-picture. Consider an ordinary portrait of the Prince and Princess of Wales. The picture (as a whole) denotes the couple, and (in part) denotes the Prince. Furthermore, it is (as a whole) a two-person-picture, and (in part) a man-picture. The picture represents the Prince and the Princess as two persons, and represents the Prince as a man. But although it represents the Prince, and is a two-person-picture, it obviously does not represent the Prince as two-persons; and although it represents two-persons and is a man-picture, it does not represent the two as a man. For the picture neither is nor contains any picture that as a whole both represents the Prince and is a two-man-picture, or that as a whole both represents two persons and is a man-picture.

Original version:

What a picture is said to represent may be denoted by the picture as a whole or by a part of it. Likewise, a picture may be a soandso-picture as a whole or merely thought containing a soandso-picture. Consider an ordinary portrait of the Duke and Duchess of Wellington. The picture (as a whole) denotes the couple, and (in part) denotes the Duke. Furthermore, it is (as a whole) a two-person-picture, and (in part) a man-picture. The picture represents the Duke and Duchess as two persons, and represents the Duke as a man. But although it represents the Duke, and is a two-person-picture, it obviously does not represent the Duke as two-persons; and although it represents two-persons and is a man-picture, it does not represent the two as a man. For the picture neither is nor contains any picture that as a whole both represents the Duke and is a two-man-picture, or that as a whole both represents two persons and is a man-picture.

The Language of Art, An approach to a theory of symbols, 1976, Nelson Goodman p. 28

Sculpture Space 1991 (2011)

Sculpture Space, the internationally renowned artist-in-residence program for sculptors, is celebrating its 35th anniversary and the online magazine JUICYHEADS is doing a feature story about it. As an alumnus I can tell you that this was and is still an amazing place. I had the chance, along with Valerie LeBlanc, to be part of it during the winter of 1990-1991. recently, we sat down, to open up old note books and Hi8 tapes to revisit Utica. These 4 short videos represent part of our Utica experience.

http://www.sculpturespace.org/

http://juicyheads.com/

NB As a results of bogus copyright infringments warning I decided to delete all my videos from Youtube – Dec 2012

Wheels / Roues (2011)

This week I will be posting the 3 videos of Tablets. The series is a tongue-in-cheek collection extolling the magical properties of technology.

1. WHEELS (1:44 min)
With great difficulty, a prehistoric man is drawing a wheel on a stone tablet. Another caveman arrives with his tablet and brings up the images of a 20th century automobile.

⁂

Durant les prochains jours, je vais mettre en ligne les 3 vidéos de ma série Tablettes, qui a été tournée à la baie de Chipoudy et qui se veut un clin d’oeil aux propriétés magiques de la technologie.

1. ROUES (1:44 min)
Un homme préhistorique dessine avec beaucoup de difficulté une roue sur une tablette de pierre. Un autre homme des cavernes arrive et lui montre sa tablette où apparaît l’image d’une Oldsmobile.

⁂

Actors/Acteurs: Jean-Denis Boudreau, Katie Hunter
Props/accessoires: Valerie LeBlanc

1. Wheels / Roues

2. Rock / Roc

3. Hunger / Faim 

Corps flottants – pas de deux (2011)

Une contamination / pollinisation entre les vidéos Corps Flottants et Gull.

Gull (2011)

An unsuspecting seagull finds himself caught in the middle of the the ‘angry man’ scene from the movie Paris Texas.

The bridge scene was tweaked with Max/MSP JITTER to move forward and back.

Music: Daniel Dugas

OIL – Beneath the Surface (2011)

OIL is a program of short videos exploring issues and relationships we have with oil, both politically and poetically. I am very happy and extremely proud of the program, the works are excellent and thought provoking. This project would not have happened without the generosity of all the artists involved, and all of the work by Vicki Chau and EMMEDIA. I would like to thank everyone for his/her willingness to be part in this!

The screening is tonight TUESDAY, JULY 12, 2011 @ 7PM at EMMEDIA:
#203, 351 – 11 Ave. SW Calgary, Alberta T2R 0C7

OIL @ EMMEDIA (2011)

CALL FOR SUBMISSIONS: OIL

Presented by EMMEDIA Gallery & Production Society

Curated by Daniel Dugas

Deadline: June 1, 2011 @ 4:30PM

Oil. It fuels our cars, it furnishes our homes, it feeds our debates, our wars. Oil, almost magic, which can be transformed into a multitude of products, toys, fertilizers, carpets, shampoo, insulation, golf balls, credit cards, lipsticks, plastic bags, bottles. A strange philosophers’ stone giving immortality to pop bottles and plastic forks.

How are we going to negotiate our dependency and oil addiction with our environmental concerns? Who defines the Industry practices? How can the individual contribute to the emergence of solutions? What is the role of the artist, writer, poet?

OIL is looking for slick short videos to fuel the discussion! Daniel Dugas will curate the program, through a call of submissions that is open to local, national and international artists. We are looking for videos that address and explore the issues and relationships we have with oil, either politically and/or poetically. The program will be screened on July 12, 2011, which is the one-year anniversary of the capping of the BP well in the Gulf of New Mexico.

To submit your short film/video:

– Must be under 5 min.

– Must be submitted on either data DVD as a .mov file or Mini DV, if sending by mail.

– A .mov file can be uploaded onto our FTP server (Please contact programming@emmedia.ca for more details)

– Must not be an original copy as EMMEDIA will not accept responsibility for loss of, or damage to any submissions.

Please note:

– Submissions will not be returned unless accompanied by a SASE.

– Artists will be contacted if selected. Please no phone calls.

– If you are selected, screening fees will be paid in accordance with the Independent Media Arts Alliance (IMAA) fee schedule.

Please send your submissions to:

Attn: OIL submission

EMMEDIA Gallery & Production Society

#203, 351 – 11 Ave SW

Calgary, AB

T2R 0C7 CANADA

All submissions must be received by EMMEDIA on Wednesday, June 1, 2011 @ 4:30PM. Postmarked or late submissions will not be accepted.

For more information, please contact Vicki Chau, Programs & Outreach Coordinator, at:

programming@emmedia.ca

1.403.263.2833

Curator Bio:

Daniel Dugas is a poet, musician and videographer. He holds an MFA, Time Arts from the School of the Art Institute of Chicago.  He was an artist in residence at: the Banff Centre, in both in the Visual Arts and in the Music  Department; Sculpture Space, New York; EMMEDIA, Calgary; A.I.R. Vallauris, France, and more recently at the Sydney College of the Arts, Sydney, Australia.

His sixth book of poetry: Hé!, was published last spring by Les Éditions Prise de Parole, Sudbury, Ontario.  This spring, he will be participating in the Festival international et Marché de Poésie Wallonie-Bruxelles as well as the Frye Festival. Daniel is currently living in Moncton, New Brunswick where he is pursuing a PhD in creative writing at the Université de Moncton.

Your name in lights by JOHN BALDESSARI (2011)

What a beautiful project!

Here is the picture of my name in lights above the Australian Museum!

According to the Sydney Festival website:

The American artist John Baldessari has been looking for people, who want their name in lights, but just for 15 glittering seconds.  Your Name in Lights reflects the changing cult of celebrity in modern society and recalls Andy Warhol’s prediction that in the future everyone will have their 15 minutes of fame.

This is art VS This is not art (2008)

8:44 am
The cold is intense.  My walk to the College is like an expedition.  My head is in there, somewhere under the layers.  As I breathe frost is forming on my scarf and face.  I feel the cold creeping into my fingers and back.  It is starting to get in through my boots.  Under my hood, all I hear is the resonating squeak of my footsteps like a walk in Styrofoam moon boots.  It hurts.

8:49
The SAIT campus is already bustling with people.  We look like steam engines, puffing white clouds of life that freeze in mid air.  I think it’s minus 40C.
Choo! Choo!

8:52
Horror!  I spot a conductor/student walking leisurely.  His steam is thick like molasses.  He isn’t even wearing a tuque.  He has a jacket with a hood but he is not covering his head!  His face is calm.  The man appears to be immune to pain.  I am thinking, he looks like me in July…

8:53
As I continue, I think that the man must have lost his power of thought.  Then, it strikes me that I am witnessing a performance, an art performance.  As Laurie Anderson once played violin while her standing with her ice skates frozen into a block of ice, I interpret that this man was doing something amazing.  I just didn’t realize it at the exact moment.

8:57
I arrive – I have made it!  I am finally at ACAD.  The warmth of the mall hits me like a wall of bliss.  Others have arrived at the same time; all look stunned by the brutality of the cold.  We move slowly while our clothing regains some sort of flexibility. The mall is filled with the wonderful works of the First Year Studies Exhibition.  Near the elevators, there are a few men kneeling down beside their buckets of cement.  They are busy repairing broken tiles and have set up a barricade with yellow tape.

9:36
On my way to the Faculty lounge I notice that the monitor of the Diversity booth, which sits in the middle of the Mall, is sporting a black label stuck in the middle of the screen.  The label has been made with an old label maker and the white letters state: THIS IS NOT ART.  I gaze around the mall before reading the label again.  My first thought is that the label points conceptually to surrealist René Magritte’s painting, The Treachery Of Images*.  This is after all, an Art school, throbbing with ideas.  Satisfied, I continue to the Faculty Lounge.  Then…

9:49
I have this weird feeling that maybe the statement on that label was not so layered, not so complex.  Maybe someone, here in the innards of this laboratory, needs to have things labelled according to the TELL ME WHAT IS THIS book.

10:31
Time flies.  My Sound I class is finishing the set up for a laptop performance in the arthole.  Things are going well in the placement of two tables, a P.A. system, and with an orderly jungle of cables and adaptors, 8 laptops have been wired up and are ready to go.  Tim from the AV has been helping us.  The idea for our performance is to sample sounds with a microphone and create real time loops with the material.  As there are 8 loops created at any moment it becomes clear that this is as much a sonic experimentation as an exercise in listening.

11:12
We have been creating texture and rhythm for 30 minutes now.  Some of the results are curious, some are engaging, and some make for difficult listening.

11:13
The group has developed a minimal soundscape, almost inaudible, which makes the ghetto blaster of the café overpowering.  After a while I decide to ask the café staff to lower its music.  The person I ask looks at me without speaking.  Without words, the message to me is of the unhappiness of being forced to listen to sound art.  The unspoken words might be that the sound experiment is cutting into the musical dreamscape.  I thank him for lowering the sound of the ghetto blaster.

11:14
On my way back to the laptop area, I realize how bizarre this non-comment is.  I mean this is an Art school.  This is a ‘laboratory environment that is committed to unconstrained inquiry’.  I begin to wonder many students, here at school, boast a dislike for abstract painting over landscape painting, or for curved shapes over square angles, or for lights that are not of the hue prescribed in the TELL ME WHAT IS THIS SO I CAN MAKE SENSE OF IT book.  If there is aesthetic intolerance here, one can only imagine how dangerous it is outside of the lab.

11:40
The performance is over.  We have taken all of the equipment down.  On our way back to the fourth floor I notice that the workers who were repairing the broken tiles are gone.  They have left warnings on the barricade.  The warnings state: DO NOT TOUCH.  THIS IS NOT AN ARTWORK.

11:40:02
YIKES!  Is this another Treachery Of Images or is it just the steam from our mouths making it difficult to see?  It is not yet midday and the opportunity to generate dialogue has raised its head three times.

Daniel Dugas

* The Treachery Of Images (La trahison des images 1928-29) is a painting by Belgian Surrealist painter René Magritte, famous for its inscription Ceci n’est pas une pipe.

NB – All of these events took place, not exactly at the times stated here.

An Artist Statement (2004)

An Artist Statement by Daniel Dugas

from a lecture at the University of Lethbridge – October 2004 / updated in February 2008

So what is it that I do?
What excites me?
What makes me angry?
What makes me tick and go on as an artist?
I am interested in everything but maybe the word everything is too big.
In 1990, I was finishing a residency at the Banff Center and I thought that maybe I could find some work and stay in the area.
I went downtown to a construction site. I made sure that I was wearing my steel-toed boots. I asked to speak with the foreman.
He came walking over, and I remember that he did not look too happy that day,
or maybe he was just a crabby kind of guy.
Anyway he said: “What do you want”?
I answered, “I am looking for work.”
He asked me what I could do, and I said, “Everything”.
He looked at me in Total Disgust and said: “Nobody can do everything, ” and he walked away.
I was left standing in this huge hole of mud, kind of stunned.
Maybe instead of saying ‘everything,’ I could have said ‘many things,’ and I could have added that I like to learn.

The thing is that I am interested in many things.
I am interested in construction,
how things are built,
how people work together to put something up.
I am curious about TAYLORISM: The Principles of Scientific Management.
I am interested in knowing why the foreman looked so angry when he said that nobody does everything.
And, as I don’t know what building they were constructing, I am still curious to know if they put brick or stucco on the façade.
I am also interested in poetry
In the idea of going on a sailboat
In insects – and especially the ants
In patterns on wallpaper In barcodes

In extended memory
In Martha Stewart and bad financial advice
In woodworking and the history of glue
In walking long enough to forget where I am going

In TCP IP DV NTSC ASCII HTML GPS XML URL
In Black Boxes which are really orange
In Time to Live
In Smileys:
Ta Ta For Now
Smile Smile with a large nose
Laughing hard
Screaming
Drooling
Ill with the flu

I am interested in Open source codes and distribution
In wikis In people having a chance to write
In blogs
The story of our world
In inventing meanings

I am interested in cryptography
In the Morse code
In algorithms of all sorts
In the frequency of letters in texts
In the absence of the letter E in the novel A Void

I am interested in loops
In dead ends
In spam
In people working madly to distribute that shit
In people working madly to dodge it
In indexes,
And all of the things that are left un-indexed
And all of those that will never make the cut

I am interested in fungus and rot
In weird and beautiful mushrooms that grow in the dark woods

In information explosion
In logic and in Pascal,
who said a long time ago that the heart has its reasons, which reason does not know
In Ludwig Wittgenstein, who said that our difficulty is, that we keep speaking of simple objects,
and are unable to mention a single one

I am interested in questioning the digital divide
In crossing bridges
In finding common grounds
In trying to breathe

I am interested in the black BMW’s
In the shiny Mercedes
In groups like Earth on Empty
Artists in Action

In wealth
In the Theatre of the Oppressed and Augusto Boal
In Saul Alinsky and Community Organizing
In the words of Winston Churchill, who said that
Money is like a sixth sense, essential for the complete use of the five others.

In stock markets
In crashes
In rise of opportunities
In bad luck In the absence of luck
In Boom or bust economies
In Power In mechanisms of exchange

In high tech and in low tech things of all kind

I am interested in parsing text files
In Apple C
Apple X
Apple V
Esc
Esc
Option
command
F
O

In apples with worms
In the names that are given to computer viruses
Like Clone
War 547
C Magic
COCO2099
Crazypunk.500
Dark_Revenge.1024
DarkApocalypse
Tiny.family

Or the names that are given to racehorses
Like Exaggerate This
Or Trick Again
Or Sightseek who won $630.000 so far this year

I am interested in databases In electrical diagrams In the taste of wine In Pong

In ping pong

I am fascinated with weather, hurricanes in particular
I am interested in models of analysis
And in seeing how they can be used in an art context
I am interested in the names that are given to future storms

Arthur
Bertha
Cristobal
Dolly
Edouard
Fay
Gustav
Hanna
Ike
Josephine
Kyle
Laura
Marco
Nana
Omar
Paloma
Rene
Sally
Teddy
Vicky
Wilfred

Those are the Atlantic storm names for 2008

The most intense hurricane to have hit the mainland United States remained unnamed.
It was in 1935 and was a category 5
With a Minimum Pressure of 892 mb

I am concerned about the repercussion of things
What happens when something is done?
What are the consequences of all actions?

I am interested in the politics of everything
The marketing of the politics
The reduction of the marketing
Newspapers
The online editions of the newspapers
The top stories

The breaking news
The exclusive interviews
The talk shows
I am interested in the wit of the guests
The waste of time
The length of life
The shadows of puppets on the walls
Brightly lit by pepper kits
Sold in advance
Sold out to the crowd
I am amazed that Oprah is on the cover of her magazine every month
I read that Oprah is the leading source for information about life and love

I am interested in pocket PCs
In the culture of pick pocket pcs
In the point and click
In the click and disappear
In the cyclical nature of fashion
In Simple Text Messages
In Thoreau talking about the telegraph
In how loud people talk on their cell phones on the buses
On the complexity of the discussions
And how others are trapped inside this dialog
Delicate choices have to be made between broccoli and asparagus
Between Bits & Bites and Vegetable Thins
All during the ride home on the train.

I am puzzled on why there is a 1-800 number on every box and every bag.
I have never bookmarked anything of Kraft, Pepsi or GM on my browser.

I like to look in the dictionaries
And bounce from one word to another
From one image to another

I believe that the world can be explain through anecdotes