Browsing articles in "vidéo"
Oct 15, 2020
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De fil en anguille – 33e Instants Vidéo (2020)

Très content de faire partie de ces 33e Instants Vidéo Numériques Poétiques.

Ma vidéo De fil en anguille sera présenté le 10 novembre à la Friche la Belle de Mai (Salle Seita) / Marseille sous la thématique des coprs.

14h Esquisse 8 : Les corps
14h15 Films (42’) de Francesca Lolli (Italie), Daniel H. Dugas (Canada), Lynn Bianchi (USA), Gerard Chauvin & Daniel Nassoy (France), Magali Dougoud (Suisse)

Oct 8, 2019
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MSVU Art Gallery – reconnoiter (2019)

We were (Valerie LeBlanc and I) over in Halifax to meet with Laura Ritchie and to look at the exhibition space at MSVU Art Gallery. Our installation Fundy will be seen there from August 29 – November 1, 2020. #excited

 

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Aug 13, 2019
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Around Osprey (2019)

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We (Valerie LeBlanc and Daniel H. Dugas) just finished our project Around Osprey. We were artists in residence in Osprey, FL from July 1 to August 15 2018. It was an incredible experience of discoveries and encounters. Again we would like to thank everyone at the Conservation Foundation of the Gulf Coast for their help. We would also like to acknowledge artsnb and the Canada Council for the Arts for their support.

Around Osprey is comprised of 12 videos and one interactive element to be screened together.
For more information on the installation: https://ospreycaretta.wordpress.com/portfolio/installation/
and for more info on the videos: https://ospreycaretta.wordpress.com/project-type/video/

Oct 12, 2018
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Atelier de vidéopoésie (2018)

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Valerie LeBlanc et moi avons animé un atelier de vidéopoésie dans le cadre du Salon du livre de la Péninsule acadienne. L’atelier a eu lieu le 7 octobre 2018 à la P’tite église de Shippagan.

L’atelier avait pour visée d’introduire les participants à la vidéopoésie, une forme de poésie qui croise le texte et l’image, la poésie et la vidéo. Après un survol historique du médium et un aperçu des grandes techniques utilisé en montage, nous avons créé un vidéopoème collectif.

En arrivant dans la Péninsule, nous avons tourné des images vidéo dans la forêt ainsi que des images d’une tourbière, de bateaux en cale sèche, et des vitrines de magasins la nuit. Les participantes se sont inspirées de ces clips pour écrire des phrases ou des mots clés. Après une période d’écriture, nous avons revu les images vidéo, mais cette fois en lisant à voix haute les brides de textes. Chaque lecture insufflait au vidéopoème à venir des formes de plus en plus concrètes, jusqu’à le définir.

De créer une œuvre collective est toujours un acte magique, mais de le faire en si peu de temps est encore plus merveilleux ! Merci aux participantes : Monelle Doiron, Emma Haché, Nicole Haché et Sylvie Pilotte. Merci également à Jonathan Roy du Festival acadien de poésie, François Cormier du Salon du livre de la Péninsule acadienne et à Diane DesChênes de La Maison de la Culture.

Ce projet était une collaboration entre Le Salon du livre de la Péninsule acadienne et le Festival acadien de poésie.

Oct 1, 2018
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VisualcontainerTV (2018)

Announcement – Daniel H. Dugas | Valerie LeBlanc
Live screening: VisualcontainerTV, Milano, IT

Our video DREAMS, Oasis Deering Estate Project is playing on VisualcontainerTV until November 8th. The program was curated by Dr. Gabriela Diana Bohnstedt Gavrilaș and was screened in the 9th INTERFACE Video Art Event last May in Oradea, Romania.

http://www.visualcontainer.net/on-air-now/

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VisualcontainerTV
International Videoart Web Channel since 2009

VisualContainerTv is the screen to the contemporary videoart world in real time and available to all enthusiast and professional audiences, online 24/7 with special monthly exhibitions.

The webTV is entirely devoted to the international videoart world and welcoming videoart projects and festivals under the care of curators and festival directors, interview and monograph programs on invitation only.

It’s an easy way for keeping updated on the videoart world and take your time following your favorite festivals and videoart projects from all over the world. It’s a big cultural project made for videoart lovers, students, curators and all audiences, a place where to find the best videoart selection for free and for cultural purpose only.

VisualcontainerTV has presented about 45 “best of” from festivals and videoart projects, 13 monographs and interviews since 2009.

VisualcontainerTV is and independent webtv project by Alessandra Arnò /Visualcontainer, in collaboration with private partners.

Sep 24, 2018
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Instants Video numériques et poétiques (2018)

 

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Ma vidéo Aequilibris sera présentée à l’occasion de la 31e édition des Instants Vidéo (2018). La projection aura lieu le mardi 20 novembre au Vidéodromes 2 à Marseille, FR.

La 31e édition des Instants Vidéo se déroulera à Marseille (Friche La Belle de Mai, Galerie Art-Cade (Vitrine), ADPEI, SARA, AAJT, Vidéodrome 2, La Machine Pneumatique), à Puyricard (Salle des Fêtes), à Aix-en-Provence (Ecole Supérieure d’Art), en Argentine (Festival VideoBardo / Buenos Aires), en Italie [.BOX] Videoart Project Space (Milan), Université Architecture La Sapienza (Rome) et sur Visual Container TV

Vidéodrome 2 – 49 cours Julien, Marseille 13006
Videodrome 2 est avant tout un projet né de la volonté de rencontrer, d’échanger et d’expérimenter. La programmation de la salle de cinéma est le fruit d’un travail commun avec de multiples partenaires, professionnels et amateurs réunis en un collectif.

18h30 – Les « dé-nuisances » sonores et visuelles
Alexandra Montsaingeon (France), Susanne Wiegner (Allemagne), Alexandre Erre (France), Rojin Shafiei (Iran), Mélodie Drissia Tabita (Maroc – France), Oliver Pietsch (Allemagne), Parul Bouvart (Inde), Daniel H. Dugas (Canada), Pauline Laurent (France)

Instants Vidéo Numériques et poétiques
Friche la Belle de Mai – 41 rue Jobin
13003 Marseille
☎ +33 (0)4 95 04 96 24
www.instantsvideo.com
facebook: instantsvideo.poetiques
twitter: InstantsVideo

Jun 24, 2018
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File São Paulo 2018

My video In Kissii is part of the FILE São Paulo 2018.

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Here is the program:

FILE ONLINE VIDEOART

1.Alejandro Thornton – Deriva – Argentina
2.Alejandro Thornton – Jumping – Argentina
3.Andrea Familari – Untitled – Germany
4.Toni Mitjanit – AAAC: An Autonomous Agent Choreo – Spain
5.Anuar Elías – Quehuaya – Bolivia
6.Bittler Bernard – Materia Obscura – France
7.Brit Bunkley – Godzone – New Zealand
8. Camilo Hermida – Three-Dimensional – Colombia
9.Chrischa Venus Oswald – True – Germany
10.Daniel H. Dugas – In Kisii – Canada
11.Dehors/Audela – Crocevia – Italy
12.Fabian Kühfuß – Nintendogs – Germany
13.Fran Orallo – The God Of Small Things – United Kingdom
14. Fran Orallo – The Subtle Levitation Of Everyday Objects – United Kingdom
15.Guli Silberstein – Stuff As Dreams – United Kingdom
16. Igor Bahia – eu; quebrando o espelho dentro do outro espelho – Brazil
17. Jerónimo Veroa – Debug Landscape – Argentina
18.Jerónimo Veroa – Gradual – Argentina
19.Jerónimo Veroa – Emptiness Against Landscape – Argentina
20.Katherina Tsirakis – Janaxpacha – Brasil | Brazil
21.Lei Han & Wayne Kirby – Hun Dun – United States
22.Lei Han & Wayne Kirby – Wei Shi – United States
23.Lilian Döring – Emancipator: Rowbite Plexus Experiment – Brazil
24.Marcell Andristyak – IN Corp. – Hungary
25.Marco B. Fontichiari – Primal – Italy
26.Mark Tholander – We Were Waiting For a Train – Denmark
27.Marta Di Francesco – Ariadne’s Thread – United Kingdom
28.Marta Di Francesco – Janus – United Kingdom
29.Massimo Vito Avavtaggiato – Atlas Of Uncertainty – Italy
30.Maurício Chades – Buraco Branco – Brazil
31.Maurício Chades – O Vídeo de 6 Faces – Brazil
32.Mauricio Sáenz – Dakhla – Mexico
33.Mauricio Sáenz – The Origin Of Stones – Mexico
34.Meike Redeker – The Bridge – Germany
35.Minus.log: Giustino Di Gregorio & Manuela Cappucci – 15” Away – Italy
36.Muriel Montini – A night, stars – France
37.Muriel Montini – Young Woman With a Straw Hat – France
38.Neryth Yamile Manrique Mendoza – Inserciones – Colombia
39.Pablo-Martín Córdoba – L’inter-code – France
40.Rodrigo Faustini – Garoto Transcodificado a Partir de Fosfeno – Brazil
41. Rei Souza – Mundo LXXV – Brazil
42. Salar Niknafs – Displaced – Australia
43. Sandra Crisp – Perpetual Browse_r – United Kingdom
44.Sebastian Tedesco – Alze #1, #2, And #3 – Argentina
45.Sonia Li – Movement – United States
46.AUJIK – Dwellers – Japan
47.Stefano Miraglia – Anoche – France
48.Susanne Wiegner – An Lou Andreas-Salomé – Germany
49.Thiago Sacramento – G – Brazil
50.Turbida Lux – Welcome To My Secret Garden – Norway
51.Valerie LeBlanc – Cultural Flotsam – Canada
52. Oo.: Jeroen Cluckers, Michaël Verlinden & Jasmijn Lootens – Kosmos – Belgium

 

FILE São Paulo 2018: The body is the message
Electronic Language International Festival

EXHIBITION

OPENING
03 july, Tuesday, 7h30pm

VISITATION
Art Galery
04 July to 12 August 2018
Tuesday to Saturday, from 10h to 22h
Sundays from 10 a.m. to 8 p.m.

FILE LED SHOW
Digital Art Gallery
Every day, 10:00 to 20:00

FREE ENTRANCE

FIESP Cultural Center
Av. Paulista, 1313
In front of the Trianon-Masp subway station
centroculturalfiesp.com.br
file.org.br

#FILEnoSESI #SesiSP #CentroCulturalFiesp

Group bookings: Mondays to Fridays, from 10:00 to 18:30, by telephone: 11 3146-7439

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Press information about the exhibition:

Simon Widman
Simon.widman@esp2.com.br
+55 11 99936-7948
Amanda Prato Viana
+55 11 94966-5765

May 27, 2018
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Interface (2018)

Our – Valerie LeBlanc and Daniel H. Dugas – video Dreams, which is part of our project Oasis has been shown at INTERFACE|Video Art Event, IXth edition in Romania

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Three stills from Dreams, 4k, 5:58 sec.

VisualContainer selection:
Lino Strangis, The dance of wired emotions, 5:15, 2016
Barbara Brugola, Loop, 8:38, 2017
Lucia Veronesi, Seduti nell’oscurità è tutto più chiaro, 4:00, 2017
Flavio Scutti, Rides, 5:26, 2016
Debora Hirsch, ETIX, 1:33, 2003
Cristobal Catalan, Space Scream, 8:00, 2017
Sonia Armaniaco, Disturbed glance, 2:48, 2015

 

Conflux selection:
Basic Bruegel (Valerie LeBlanc and Daniel H. Dugas), Dreams, 05:58, Canada;
Blas Payri, Three glances at Bacome, 04:40, 2016, Spain;
Christian Merrill, Collapse, Replace, Rebuild, 01:21, 2018, United States;
Damon Mohl, Night Clerk, 01:35, 2017, United States;
Daniel Antal Ary, Sequence, 2018, Universitatea Creștină Parțium, Romania;
David Webber, Letter I, 02:01, 2018, United States;
Eija Temisevä, And suddenly – you realize, 02:32, 2017, Finland;
Guli Silberstein, Impressure, 04:34, 2017, Israel;
Jenny Herrick, Duel, 05:00, 2018, United States;
Juan Carlos García-Sampedro Ferrero, I have come, 04:45, 2018, Spain;
Juliane Saul, Regression, 02:50, 2017, Germany;
Kai Welf Hoyme, Skeleton, 04:34, 2016, Germany;
Kimberly Burleigh, Periphery, 04:53, 2016, United States;
M. Dianela Torres, Uno no es tan débil como para sucumbir ante situaciones así, 04:36, 2017, Mexico;
M. Kardinal, Silencers, 04:57, 2017, Germany;
Marcela Alcalde, Audacia del Tiempo, 03:07, 2017, Argentina;
Mark Freeman, Body/Bag, 02:45, 2017, United States;
Michael Lyons, Film Loop 31: Shisendo, 01:30, Canada/U.K;
Nataša Prosenc Stearns, Untitled (Torso), 03:35, 2016, United States;
Oguzhan Kaya, Propaganda, 03:20,2017, Turkey;
Pierre Ajavon, Full Moon, 02:40,  2018, France;
Pierre Villemin, Glacies, 08:00, 2017, France;
Rafel Arnal, Ferran, 03:07, 2018, Spain;
Robert Sirvent, Dynamic within static (Dinámico en estático), 03:07, 2018, Spain;
Romain Claris, Cousins of clouds, 01:00, 2017, France;
Sevcan Sönmez, I feel like, 03:26, 2017, Turkey;
Steven Fraser, What It Feels Like, 03:00, 2018, United Kingdom;
Tereza M.Matza. Nyctophobia, 2018, Romania;
Theodora Prassa, Lavyrinthos, 02:45, 2017, Greece;
Vasilica Roman, Beyond the Limit.The Quest, 03:39, 2018, University of Oradea, Romania;
Vojtech Domlatil, Waves, 03:00, Czech Republic;
Zlatko Cosic, Story 2: Scenes 1-9, 05:00, 2017, Yugoslavia.

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Being able to tridimensionally process images on digital devices allows the video artist to materialize his/her ideas through philosophical approaches of the virtual space, approaches that consider reality the base for future premises.

The interface must be understood not pejoratively, as a superficial surface or a simulation without any conceptual consistency, but as a succession of images representing the same object of reference, transformed in different ways by the artist without losing the concept.

Our proposal is to create hypothetical universes, alternative realities characterized by flexibility and conexions simultaneous to the imaginary world; realities that elude physical, ideological, aesthetic restrictions.

In this manner, the artist selects from the environment and its belonging phenomena, certain features that he/she will eventually either simplify or enrich with abstract elements belonging to the virtual space. Using diverse digital instruments, the artist delivers the idea that dominates the concept of the video project.

The result is an Interface that structures access to the succession of the created video images, that does not depend upon the researched reality because it evolves differently based on the video artist’s subjective and autoreferential choices.

Thus, two apparently contradictory worlds fusion and meet in the world of ideas and they become encrypted, transformed and reinterpreted inside the features and the concept of the future video art film. Although the reality we refer to hallmarks the artistic/aesthetic concept depending on the artist’s choices and attitudes, on his/her perspective on the referential element, the mark that is based on reality will not be visible any longer and therefore, the new image questions the credibility aspect.

The thus created video art brings into discussion the issue of promoting through images the way of perceiving reality through subjectivity, game, scenario, multiple hyper-realities and simulation inside the created virtual space. The end is the destruction of overused conventions on image interpreting; the traditional way of thinking is changed and prejudices about the image itself, about the relation between real and imaginary space, are broken.

We discover, therefore, a virtual labyrinth of ideas that counts on the numerous self-referential elements, apparently simultaneous and arbitrary, dominated by an aesthetic, conceptual chaotic diversity; contrary to this, the video image is an interface between reality and the artist’s video-conceptual subject.

Curator׃ Associate Professor Dr. Gabriela Diana Bohnstedt Gavrilaș

 

INTERFACE |Video Art Event,  IXth edition will be presented from 05. 19-20, 2018 from 19-02 PM at the White Night of Museums to The Museum of Ţǎrii Crişurilor in Oradea within The days of Țării Crișurilor Muzeum,  University of Oradea, Visual Arts DepartmentFaculty of Arts, Romania and in June in Italy at visualcontainer.org, visualcontainer.tv, box Videoart Project Space Milano, dotbox.it.

https://videoartevent.wordpress.com/

Mar 2, 2018
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aequilibris (2018)

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Synopsis aequilibris

Des images d’anciens films familiaux défilent sur l’écran des chutes du Niagara. Une ficelle, comme une mémoire collective tendue au-dessus des chutes, se défait et se refait donnant aux souvenirs évanescents une dernière chance de s’agripper à la réalité.

Home movies shot at Niagara Falls run over current footage set on the same plane. An unraveling rope stands in for the collective memory of challenging the odds.

aequilibris from Daniel H. Dugas on Vimeo.

Jan 13, 2018
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6th International Video Poetry Festival ATHENS (2018)

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6th International Video Poetry Festival ATHENS 2018
Self Organised Theatre Embros
Riga Pallamidi 2 Psirri

FR.19 + SAT.20 JANUARY 2018 STARTS 17.00
134 video artists and poets from 25 countries. 5 performances
21 live poets + 3 djs. 4 live concerts. 2 video art installations + BookFair

FRIDAY 19 JANUARY VIDEO POETRY DAY starts at 17.00

GREECE: Yiannis Deliveis . Evi Stamou. George Zafiriou. Αngel Ballas & Katerina Bakagianni. Stellios Oikonomidis.Christine Papanicola Τziadora. Κarina Verdi & GlitchA. Lokatola ITALY: Francesca Bonfatti. Puccio Chiesa & Roberto Moroni SPAIN: Eduardo Yague. Hernán Talavera. Igor Luna. Cristina Ruberte París. Adriana Páramo Pérez FINLAND: Hanna Ojala PORTUGAL: Mario Henrique Leiria. Takis Panas. Andre Birken IRAN: Niyaz Saghari UNITED KINGDOM: Eleonore Dambre. Amber Agha AUSTRIA: Lisa Seidenberg SCOTLAND: Susannah Ramsay ALBANIA: Eni Derhemi GERMANY: Julian Weinert Justine Bauer & Andre Patten. mmmmmfilms: Adrian Fisher. Ginés Olivares . Luna Montenegro. Kuesti Fraun. Vera Sebert Soar FRANCE: Suki USA: Adrian Frost. Ellen Evjen Matt Mullins. Outlier Moving Pictures: Pam Falkenberg. Jack Cochran. Mark Freeman CANADA: James Pomeroy. Daniel H. Dugas. Valerie LeBlanc ISRAEL: Jasmin Even AUSTRALIA: Ian Gibbins. Rose Staff. Nick Azidis. Lisa Greenway. Elena Knox. Radheya Jegatheva. Marie Craven URUGUAY: Martín Klein BRAZIL: bagadefente COLOMBIA: Alejandro Fernández Mouján RUSSIA: Inga Shepeleva. Maria Terentieva. Dima Anikin ARGENTINA: Yanin Lorey. Paloma Violeta Gonzalez Santos MEXICO: Cristina Bustamante. Guillermo Fuentes SOUTH KOREA: Finn Harvor CHINA / NEW ZELAND: Chen Chen

http://theinstitute.info/?p=2600

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Daniel H. Dugas

Artiste numérique, poète et musicien, Daniel H. Dugas a participé à des expositions individuelles et de groupe ainsi qu’à plusieurs festivals et événements de poésie en Amérique du Nord, en Europe, au Mexique et en Australie. Son treizième recueil de poésie « émoji, etc. » / « emoji, etc. » vient de paraître aux Éditions Basic Bruegel.

Daniel H. Dugas is a poet, musician, and videographer. He has participated in solo and group exhibitions as well as festivals and literary events in North America, Europe, Mexico, and Australia. His thirteenth book of poetry, 'émoji, etc.' / 'emoji, etc.' has been published by the Éditions Basic Bruegel Editions.

Date : Mars / March 2022
Genre : Poésie / Poetry
Français / English

émoji, etc. / emoji, etc.

Date: Mai / May 2022
Genre: Vidéopoésie/Videopoetry
Français/English

Fundy

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