No, not the Moon, but Mr. Moon. (1979-2012)
To mark the death of Sun Myung Moon, founder of the The Holy Spirit Association for the Unification of World Christianity, I am posting this excerpt from my travel journal written in 1979 during a hitchhiking trip around Canada and the USA. The post describes my encounter with the Moonies in San Francisco.
August 6 1979
Day: 41
Weather: am: Sun (Hot) pm: Sun (Hot – 95F)
As soon as I got my money, I went to McDonald’s. I was devouring my friendly meal when a young couple came and sat with me. They did not have trays of food with them. They were Sam and Julie and they said they were with the C.A.R.P. (The Collegiate Association for the Research of Principles). They were really nice and wanted me to join them at their house for a lunch. I gulped the last bite of my hamburger and said okay. They had a huge house, up on a hill, and there were a lot of people already there. I mean the whole place was filled with people my age, on the couches, on the floors, in all of the rooms. Everybody was smiling and talking to each other, it was a really nice feeling. A woman was walking through the crowd with a platter of tuna sandwiches. I was still hungry and I grabbed a couple. Then somebody stood up on a chair and said: “Now let’s welcome our distinguished speaker.” We all gave a round of applause. The speaker arrived pulling a black board on wheels behind him. He looked like a professor, a stocky man with a dark goatee. He got into the matter of things very quickly. He said that he was really pleased to be here with us and was going to explain God’s Nature. He started to scribble things with his white chalk; circles, squares, connecting lines and whirlpools of energy. He was quite involved with his presentation. He spoke about the Divine Principle, Sin, and the Internal and External Form of Things. He talked about Mr. Moon. I thought that he was talking about going to the moon or something like that. I asked Sam for some clarification and he said with a big smile: “No, not the Moon, but Mr. Moon. He is the New Messiah.” The presentation lasted way too long and the woman with the sandwiches was nowhere to be seen. We, the audience, had much more to learn. Anyway, at the end of it, the speaker said that the workshop we were going to attend was going to change our lives. That was the first time I heard about a workshop. I asked Sam and he said that I was very lucky to have come at this time because they were all leaving this evening for the workshop. He said that I should come with them. It smelled fishy. I said that I could not come right away. This was the signal for Sam and Julie and a group of others to try to persuade me into staying, into going, into joining, into being together, into following my destiny, into allowing love and freedom into my heart, and so forth. I finally made it through the door with the promise that I would come back for the evening trip. I walked back downtown.
I went to hang out in a public square. There were people having lunches, people basking in the sun, buskers of all sorts; musicians, acrobats and beggars. I met an older man, named Adam and I told him about my Moonie adventure. His eyes opened wide and he grabbed my arm. He said: “Jesus Christ! You really went there? These guys are mad, they kidnapped youngsters like you and they fucken brainwashed them! Are you all right?” We talked for a while about the madness and the danger of cults. He told me that was their usual technique; ‘feed you well at first, and then starve you to take over your mind.’ Now that I knew what was going on over there, I felt like going back to play their game. I left a note with Adam giving the Government of Canada and my family the permission to remove me from the sect. I dated and signed the note and included my social insurance number. I told Adam, “If I am not here tomorrow at noon, I would like you to give this note to the Canadian Embassy.” Adam did not think this was a good idea but agreed to it. When I left he said, “See you at NOON tomorrow!”
I walked back up the hill right into the eye of the hurricane. The house was bustling with activity. There were white panel vans at the doors being loaded. As soon as I crossed the threshold of the door I was assailed by ‘members’. They were all very happy to see me again, saying that my return was meant to be. They kept coming one after the other, in pairs, and in groups and I kept saying no. Their hands were warm, their voices were soft, their eyes were kind. It was a real struggle to not succumb. I felt that I was tied to the note I left with Adam, that I had a responsibility to Adam, and my family in not joining. The time of departure was approaching, somebody was going through the house, in each rooms, clapping his hands together and saying: “Let’s go people, time to go!” There was a real sense of urgency and emergency. I ended up in one of the vans. A bunch of us were packed into the cargo area. Sam was there still trying to convince me, and I was still objecting. The driver of the van who was making fast turns, suddenly stopped and said to one of the other leaders, “Kick him out.” The side door opened and I was promptly ejected onto the sidewalk. The van sped off under cover of darkness.
What We Take With Us – Ce qu’on emporte avec nous (2011)
• Galerie E DANS L’A Gallery, Moncton, NB, 2011
What We Take With Us
In this two channel video installation, each artist created a program of short videos exploring different aspects of memory and presence. The programs are projected side by side.
An exploration of internal and external experiences characteristic to travel and displacement, the project grew from a research residency at the Sydney College for the Arts in Sydney, Australia – September / October 2009. During our stay, we researched urban, as well as more sparsely populated coastal and inland geographies of New South Wales. Starting from our personal exploration and interviews with others, we looked for indications of what it is like to live in a place; to call it home, and at displacement / shifts evoked by the experience of physically repositioning oneself in the world.
The research began from the perspective of examining the concept of home and what it means to individuals. Over time, a discussion of memory and presence, of being in the world developed toward the realization that what we take with us might not be as important as what, or whom we sometimes leave behind. As the nature of living leads us forward, we are constantly required to face current events and circumstances; to grow and evolve within the present. Ideas are shaped through interaction; through awareness of the importance of what we take with us in memory, and how interaction within social climates changes the point of view. According to progress, of meeting life challenges; friends, family and familiar surroundings sometimes move into memory, and that becomes the only way to experience them again. In essence, this is also part of the discussion of nomadism and contemporary life.
While developing strategies for conveying messages relating to the human experience, we have worked to open up half dream / half waking realities.
For more information see website
Ce qu’on emporte avec nous est une installation vidéo à deux canaux. Chaque artiste a créé un programme de vidéos examinant différents aspects de la présence et de la mémoire.
Ce projet sur le déplacement, la mouvance et le voyage, a pris forme et s’est développé lors d’une résidence de recherche au Sydney College for the Arts en Australie — septembre / octobre 2009. Pendant notre séjour, nous avons effectué une série d’entrevues à Sydney ainsi que sur le territoire de la Nouvelle Galles du Sud. Nous souhaitions explorer les questions relatives au sentiment d’appartenance à une région, à une collectivité ainsi que sur l’expérience nomade.
Les idées contenues dans ce projet sont nées de l’interaction entre individus, elles se sont développées au travers du filtre de la mémoire et du souvenir ainsi que sous l’effet transformateur du contexte social. Tout en développant des stratégies de transmission relatives à la nature interne et externe de l’expérience humaine, nous avons tenté d’ériger un lien entre ce qui existe et ce qui est senti, entre le rêve et la matérialité.
Notre recherche nous a amenés à réaliser que quelquefois, ce que nous emportons avec nouspourrait ne pas être aussi important que ce qui est laissé derrière.
Pour plus d’information : site web
Blog 1979 (2004)
[Jacques Dubé, Jean-Marc Dugas et Daniel Dugas]
Twenty-five years ago I went on a hitchhiking trip around Canada and the USA. I kept an obsessively detailed journal of my adventures. The voyage started in Moncton, New Brunswick, on June 27, 1979 and ended, back in Moncton, on September 2. During these 68 days I hitched 115 rides and walked 363.5 kilometers. I ate parsley for three days straight, morning, noon and evening, with Jeffrey. He had a pack sack full of it and was happy to share the green stuff. One morning I stood half awake in a bank lineup in San Francisco only to be shaken by the biggest earthquake there in 68 years. I got robbed a couple of times, once by an ex Hell’s Angel who was mad that I did not carry a camera. I got kicked out of a crowded van, in the middle of the night by a troop of Moonists en route for a “retreat” in the Valley. I made a big mistake by putting my hand in Teresa’s pants while sleeping in the back of a transport truck. The truck driver was giving Byron, his girlfriend Teresa and me a ride from South Carolina towards New York… My rudimentary English of that time, my mouth harp, and my innocence probably saved my life many times.
Recently while cleaning some old boxes I found the journal, which I thought was lost long ago. This blog re-tells some of my stories.
Starts again: June 27, 2004
Daniel H. Dugas
Archives
Blogroll
- A.I.R. Vallauris
- ACAD
- Adobe additional services
- Adobe Creative Cloud
- AIRIE
- Amaas
- Amazon Author Central
- ARTothèque
- Australian Poetry
- Basic Bruegel
- Bitly
- CCCA
- CDBaby
- Cycling 74
- Dissolution
- Éditions Prise de parole
- Emmedia
- eyelevelgallery
- FAVA
- Festival acadien de poésie
- Festival FRYE Festival
- FILE – Electronic Language International Festival
- Freeware list
- Fringe Online
- Galerie Sans Nom
- Gotta Minute Film Festival
- Instants Vidéo
- JUiCYHEADS
- Kindle Direct Publishing
- Klondike Institute of Art and Culture
- La Maison de la poésie de Montréal
- La Maison de la Poésie et de la Langue française Wallonie-Bruxelles
- Laboratorio Arte-Alameda
- Le Centre Jacques Cartier
- Liberated Words
- Maison Internationale de la Poésie – Arthur Haulot
- MediaPackBoard
- Miami Book Fair International
- Monoskop
- Mot Dit
- NSCAD University
- Paved Arts
- PoetryFilm
- Portail des auteurs du Nouveau-Brunswick
- RECF
- Revue Ancrages
- Salon du Livre du Grand Sudbury
- Sculpture Space
- Subtropics.org
- Sydney college for the arts
- The Centre for Contemporary Canadian Art
- The New Gallery
- Trevigliopoesia
- tumbler-documents
- V Tape
- Valerie LeBlanc
- VideoBardo
- Void Network-Κενο Δίκτυο
Categories
- #covidpoèmes
- Advertisement
- AIRIE
- Ancrages
- anthology
- Anthropocene
- Architecture
- Around Osprey
- art
- Article de presse
- arts visuels
- audio
- Australian Poetry
- Basic Bruegel Editions
- Book
- book fair
- Cafe Poet Program
- Ce qu'on emporte avec nous
- Citations gratuites
- Collaboration
- commentaire
- commentary
- Compte rendu
- conférence
- Conservation Foundation of the Gulf Coast
- COVID-19
- Critique littéraire
- culture
- Daniel Dugas
- Design
- Édition Michel-Henri
- Éditions Perce-Neige
- Éloizes
- Emmedia
- emoji etc | émoji etc
- Environnement
- essai
- essay
- Everglades
- Exhibition
- festival
- Festival acadien de poésie
- Festival Frye Festival
- FIPTR
- Flow: Big Waters
- Fundy
- Habitat
- installation
- Instants Vidéo
- interactivity
- journal
- JUiCYHEADS
- Kisii
- L'Esprit du temps
- laptop
- Leaving São Paulo
- lecture
- Livre
- logos
- Magazine
- Miami Book Fair
- Moncton 24
- novel
- OASIS
- oil spill
- perception
- performance
- Photo
- poésie
- Poetic Licence Week
- Poetry
- politics
- politique
- press
- Prise de parole
- Revue Ancrages
- salon du livre
- sculpture
- Sculpture Space
- sound
- Souvenirs
- Spirit of the Time
- Style & Artifacts
- Symposium d'art/nature
- talk
- television
- The New Gallery
- Uncategorized
- Valerie LeBlanc
- vidéo
- vidéopoésie
- Videopoetr/Vidéopoésie
- videopoetry
- visual arts
- What We Take With Us
- youth literature