Liberated Words Festival (2014)

I am happy be in such good company as was shown at this year’s Liberated Words Festival!

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CONGRATULATIONS! To everyone who took part in Liberated Words festival and our competition finalists. The winners were:

Best Music/Sound – judges Rich Ferguson and Mark Wilkinson
1st Proem: to Brooklyn Bridge by Suzie Hanna and Tom Simmons
2nd In droplets by Lorenzo Scacchia
3rd If grief were briefly to disappear by Marc Neys, Stevie Ronnie and Nic Sebastian

‘We made our assessment based on the effectiveness and aesthetic quality of the piece as a whole. Some factors we considered were:
Was the spoken word moving intellectually or emotionally?
Did the visuals enhance or elucidate the meaning of poem?
Did the images evolve over time, thereby increasing the ideas communicated?

Were the images thoughtfully produced and carefully considered?
Did the sound design enhance or distract from the spoken word?
Regarding the winning piece: We found the visual treatment in Proem to be arresting and original; clear in its intentions and unified in its design as it evolved visually throughout the piece. A balanced and elegant pairing of spoken words and moving pictures.’
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Best Editing: Judges poet Helen Moore and filmmaker Howard Vause
1st On A Prophet, Kathleen Roberts and Dave Richardson
2nd Proem: to Brooklyn Bridge, Suzie Hanna and Tom Simmons
3rd Standard of Truth, Daniel H. Dugas

‘Helen and I agreed that the editing of On a Prophet had both simplicity and emotional complexity, was truly compelling and that all it’s elements formed a stunningly integrated whole. Proem is an animation tour de force – in a class of it’s own really – and we both loved Standard of Truth for it’s quirkiness and narrative restraint.’

http://liberatedwords.com
https://www.facebook.com/pages/Liberated-Words/157035061146693

Standard de vérité (2014)

Standard de vérité / Standard of Truth has been included in this year’s Liberated Words Festival.
It will be screened on September 13th at the BRISTOL 2014 FESTIVAL.
http://liberatedwords.com

Excerpt: Children do not have any archives, they are born free. They do not have to worry about all of those boxes of paper stating this or that truth, they do not have to pay storage fees, or check the levels of relative humidity in the vaults. The past has not yet arrived. They have nothing else than life ahead of them. The meaning that flows in their veins is not saturated with antibodies; they are made of oxygen. Maybe that is why they have big smiles.

Here are the people who will be having their films on the theme of ‘Memory’ screened in Liberated Words on 13th September as part of the Bristol Poetry Festival. It’s a great line up. Patrice Etienne, Hala Georges, David Richardson, Tamsin Taylor, Sheila Packa , Edward Kulemin, Chaucer Cameron, Susanne Wiegner, Keith Sargent, Robert Peake, John Scott, Marc Neys, Matt Mullins, Daniel Dugas, Suzie Hanna, Don Carey, Rhianna Edwards, Trama Afona, Kate Sweeney, Diana Taylor, Meriel Lland, Irina Nedelcu, Antonio Alvarado, Helen Dewbery. for ticket information please follow the link below.
http://www.poetrycan.co.uk/component/content/article/18-news-frontpage/628-brispofesta-2.html

Videopoetry (2014)

For me, the poetic experience has always been a visual experience. Although videopoetry is often a collaborative process between a poet and a filmmaker, it is for me, most of the time, one continuous action. When I started to write poetry I also started to experiment with super 8 and creating live soundtracks for the reels. The blend of text, image and music seemed a natural transaction between mediums. But it is not only a back and forth movement between words, images and sounds, the action quickly becomes a passage to discover something new, to unearth a unique presence. We know now that the lines between mediums are fragile, that the walls are now porous and we are thankful for this evolution. We can travel from one genre into another to try to make sense of the whole world. Video poetry sits at the juncture of oral tradition, typography and vibrations: a fork in the road. It sometimes tells a story through words (narrative-poetry) and at other times, through moving images (non-linear abstraction). In spite of the fact that videopoetry always shows with a red wavy underlines in Microsoft Word, it is not an error. It is a form a comprehension. It is a good road to travel.

Still from What We Take With Us at The New Gallery (2012) Video installation with Valerie LeBlanc

International Film Poetry Festival (2013)

Some of my videos have been selected for the International Film Poetry Festival + Poetry Live CONCERT Show / EMBROS SAT.14.12.2013. read on >>>

INTERNATIONAL FILM POETRY FESTIVAL#2
60 VIDEO ARTISTS FROM EUROPE. ASIA. AMERICA. AFRICA
AUDIO VISUAL EXPERIENCE : 10 POETS & 8 LIVE CONCERTS
στο Ελεύθερο Αυτοδιαχειριζόμενο Θέατρο ΕΜΠΡΟΣ
(ΠΑΛΑΜΗΔΗ 2 ΨΥΡΡΗ)

ΣΑΒΒΑΤΟ 14 ΔΕΚΕΜΒΡΙΟΥ 2013

ώρα έναρξης 21.00

με συμμετοχές καλλιτεχνών (ποιητών, σκηνοθετών, videoartists) από Ευρώπη, Ασία, Αφρική και Αμερική χαράζοντας μια ιστορική διαδρομή από το 1830 μέχρι το 2013 βασισμένη σε ποιητές της αντικαθεστωτικής κουλτούρας.

Προβάλλονται οπτικοακουστικά αρχεία με την πραγματική φωνή της Sylvia Plath, Anna Sexton, Emily Dickinson, Charles Bukowski, Jack Kerouak, William S. Burroughs, Allen Ginsberg, σύντομες παρουσιάσεις για William Blake, Edgar Allan Poe, Charles Baudelaire και πολλοί νέοι ποιητές από διαφορετικές χώρες.

Επίσημες συμμετοχές καλλιτεχνών:
Gabriel Stillwater |Unlgy Dog | Daniel Dugas | Πέτρος Πολυμένης | Rrose Present | Melissa Diem | Robert Peake | Dorit Weisman | Laura Focarazzo | Santiago Parres | Sigrun Höllrigl | John D. Scott | Alexander Harikis | Alexandre Braga | Whitney Sparks | Fiona Tinwei Lam | Svetlana Sobcenko | Richard van der Laan | Stuart Pound | Arin E. Zadoorian | Khara Cloutier | Dave Bonta | Ana Barosso | Susanne Stich | Marc Capdevila | Frank Muller | Kelly Oliver and Keary Rosen | Sávio Leite | Udo Prinsen | Marc Tiley | Nick Frontman | συν](κίνηση | Θανάσης Πάνου

+

ΜULTI MEDIA
AUDIO-VISUAL POETRY LIVE CONCERT
έναρξη 23.30

23.30
NIKOS KYRIAKIDIS
http://ekdoseisarspoetica.wordpress.com/
23.45
PENOLEPE D.
http://irregularminds.blogspot.gr/
http://voidnetwork.blogspot.com/
TRYPMAKER
http://trypmaker.blogspot.gr/
12.00
DORIAIXMOS
http://doriaixmos.blogspot.gr/
12.15
ZAXARIAS STOUFIS
http://www.mystikonekrotafeio.gr/
12.30
KATERINA ZISAKH
https://www.facebook.com/syn.kinisi
12.45
LARRY COOL
http://larrycoolwriter.blogspot.gr/
01.00
TASOS SAGRIS
http://sagristasos.blogspot.com/
http://voidnetwork.blogspot.gr/
01.30
BIOMASS
http://biomassmusic.gr/
SISSY DOUTSIOU
http://ecstaticpoetrysemeli.blogspot.com/
http://voidnetwork.blogspot.com/
02.00
YANNIS RAOUZEOS
http://voidnetwork.blogspot.gr/
VOLTNOI
https://myspace.com/voltnoi
02.30
KU
http://www.inner-ear.gr/gr/releases/artist/61-ku
03.00
ODIOLAB
https://www.facebook.com/pages/ODIOLAB/265789456813611
03.30
SIDE LINER
http://www.cosmicleaf.com/en
04.00 CYDELIX
https://myspace.com/cydelix
04.30-end
JUNIOR X
https://www.facebook.com/manos.chatzimanolisa?fref=ts

visual art by Void Optical Art Laboratory

…Τί κάνουμε μετά το Όργιο?… Ο Μποντριγιάρ λέει πως ο,τι δεν κατάφερε να πάει πέρα από τον εαυτό του, είναι καταδικασμένο να αναπαράγεται εσαεί. Η κοινωνία φάνηκε ανίκανη να κάνει υπέρβαση του εαυτού της, αγόμενη προς άλλους σκοπούς, και αυτοεγκλείστηκε στη φυλακή της εικόνας της. Σήμερα φαίνονται όλα «απελευθερωμένα», ο κύβος ερρίφθη και το ερώτημα παραμένει πιο επίκαιρο από ποτέ: Τι κάνουμε μετά το Όργιο; Είμαστε άραγε καταδικασμένοι
να προσκρούουμε δίχως καμία δυνατότητα διαφυγής ξανά και ξανά στα τοιχώματα της εικονικής μας φούσκας, σαν τον ήρωα του Truman Show; Εμείς θεωρούμε ότι το ζητούμενο σήμερα είναι να σπάσουμε τη φούσκα της εικονικότητας και να καταστήσουμε απτό και πραγματικό το προσομοιωμένο,
να σπάσουμε τους φόβους & τις μαζικές αυταπάτες. Τότε θα συνειδητοποιήσουμε ότι τίποτα δεν έχει απελευθερωθεί πραγματικάκαι πως ο δρόμος της επανάστασης είναι μπροστά μας σε όλα τα επίπεδα. ..»

ΚΕΝΟ ΔΙΚΤΥΟ
http://voidnetwork.blogspot.com/

δείτε εδώ επίσης video και πληροφορίες
από τις συμμετoχές του φετινού
ΙΝΤΕRNATIONAL FILM POETRY FESTIVAL
που διοργανώνεται για 2η χρονιά με
καλλιτεχνική επιμέλεια από το
+ΙΝΣΤΙΤΟΥΤΟ [Πειραματικών Τεχνών]
http://theinstituteinfo.blogspot.com/
και την υποστήριξη του πολύ σημαντικού site
MOVING POEMS
http://movingpoems.com/

HOMEPAGES | ΒlOGS | LINKS
http://daniel.basicbruegel.com/
http://whitneysparks.com/
http://kreuzzugnach.tumblr.com/
www.sobcenko.blogspot.ie
www.vimeo.com/sobcenko
http://www.poetry.or.at/
http://www.ezo.es/
http://www.doppelplusultra.de/
http://www.jpsipila.com/
http://www.magpieproductions.com/
http://www.base.co.pt/
http://www.stuartpound.info/index.html
http://vimeo.com/richardwouter
http://bobie.fr/
http://atole.gr/
http://www.rroserpresent.eu/
http://melissadiem.com/
http://www.robertpeake.com/
http://fionalam.net/
http://vimeo.com/laufocarazzo
http://vimeo.com/exquisitewhat
http://leitefilmes.blogspot.com/
http://mostramumia.blogspot.com/
http://mumiainternational.blogspot.com/
http://grafitesbh.blogspot.com/
http://cinemartepoder.blogspot.com/

Co-Kisser Festival (2013)

Le festival Co-Kisser a eu lieu le 19 octobre 2013 à Minneapolis-St-Paul dans l’auditorium du Minnesota College of Art and Design (MCAD). Ma vidéo Glissement faisait partie du programme Soul on the Road – Physics, Math, and Memory.

Glissement est une œuvre qui s’interroge sur la mémoire et l’oubli par le biais d’images héritées de mon oncle Camille. Cet oncle était un organiste de talent, un photographe avide et un homme très privé. Après sa mort, ses photographies et ses diapositives ont été distribuées aux membres de la famille. J’ai reçu des images de Madrid, de Rome et de Paris, mais il y avait peu de contexte pour le matériel. On ne savait pas exactement qui peuplait toutes les images. Alors que la plupart d’entre elles avaient une qualité touristique, d’autres étaient plus personnelles. J’ai remarqué que certaines des couleurs commençaient à s’estomper. Son passé, que personne ne pouvait expliquer, disparaissait lentement. Bientôt, il ne resterait rien. J’ai commencé à superposer les images, à les doubler en espérant leur redonner une nouvelle vitalité.

Immédiatement après la projection du programme j’ai participé avec 3 autres vidéastes à une table ronde qui était centrée autour de la question « Pourquoi choisir la poésie vidéo comme moyen d’expression ». Question intéressante et d’actualité, car la vidéo-poésie est un genre de cinéma/vidéo qui a connu un regain d’intérêt au cours des dernières années. Beaucoup de nouveaux festivals, qui se spécialisent dans ce genre, sont apparus un peu partout dans le monde et il y a maintenant un réseau international d’organisations[1]. Selon Jen March, la directrice du festival, le nom Co-Kisser serait une métaphore pour exprimer l’étreinte entre les mots et les images. Une action et une liaison ; étroite et intense. Les œuvres qui ont été présentées dans le cadre de cette troisième édition étaient à l’image de cet embrassement : hybrides, pluriels et souvent expérimentales.

Je remercie artsnb pour leur aide financière qui m’a permis de me rendre à Minneapolis-St-Paul afin de prendre part aux activités du festival. J’y ai fait de belles rencontres et l’énergie, je devrais dire la synergie, continue de vibrer.

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[1] Aux Etats-Unis on retrouve, bien entendu, le festival Co-Kisser mais aussi un autre très récent qui vient de s’établir au Colorado :  The Body Electric Poetry Film Festival.

Glissement (2013)

Glissement (2012) has been selected for the C-K Poetry-Film Fest – October 19, 2013, Minneapolis College of Art and Design.

Glissement – (French, English subtitles)
Year / Format Video /2012 / HD
Running time 2 min

Description
My uncle Camille was a gifted organist, an avid photographer and a very private man. When he died, his photographs and slides were distributed to family members, but nobody was able to provide any context for the material. I received one binder with images of Madrid, Rome and Paris. While most of them had a touristic quality attached to them, others were more personal.

As I looked at the images, I noticed that some of the colours were starting to fade away. His past, that nobody could explain, was slowly disappearing. Soon there would be nothing left.

I started to superimpose the images, to double them up in hopes that the memories embedded in there would gather new strength, new life.

Insomnie at La parola immaginata (2013)

Insomnie (2012) has been selected for the 6th EDITION of the video poetry competition LA PAROLA IMMAGINATA in Treviglio, Italy.

La parola immaginata

Trevigliopoesia is VIDEOPOETRY: Video-Art, Video Documentary and Poetry Film.
The word as language but also a symbol that becomes an element as the expression of thoughts, images, visions of the poets and their lives. Combining inspirations and influences from the field of philosophy, music, theatre and literature the result of the artistic creation meet the public showing the perfect union between POEM and VIDEO.

Under the patronage of the Office of Culture of the town of Treviglio, the arts association Nuvole in viaggio advertises the sixth edition of the video poetry competition LA PAROLA IMMAGINATA.

6th EDITION FINALISTS

• ALMADHOUN, Ghayath / SILKEBERG, Marie – “Your Memory is My Freedom” (Sweden)
• CAPDEVILA, Marc / ZANOGUERA, Tià / BALASCH, Albert – “A fora” (Spain)
• DALLA LIBERA, Antonio – “Firenze sovietica” (Italy)
• DIEM, Melissa – “The one about the bird” (Ireland)
• DUGAS, Daniel – “Insomnia” (Canada)
• GEMMI, Alberto – “Go Burning Atacama Go” (Italy)
• LeBLANC, Valerie – “Missing Parade Notes” (Canada)
• NEYES, Marc (Swoon) – “Drift” (Belgium)
• PEETERS, Jan – “Guesswork. Variation 8″ (Belgium)

SPECIAL MENTION UNDER 20

• CASCONE, Graziano / MARCHETTI, Ilaria (Liceo Artistico Statale Casorati di Novara) – “L’alba” (Italy)

NEXT STEPS

• all the videos are going online at www.videopoesia.org by the end of april
• selected videos are going to be shown in TREVIGLIOPOESIA 2013 (details soon available on this site); the winner is going to be announced during the last evening event of the Festival (june 2, 2013)

La parola immaginata

Insomnie at PoetryFilm (2013)

My video, Insomnie, will be screened as part of a special one-off PoetryFilm event celebrating the Equinox with a bespoke programme of experimental short films and poetry performances exploring: circles, cycles, sequences, planets and patterns.

Venue: Charlotte Street Hotel Cinema (located downstairs)

Address: 15-17 Charlotte Street, London WIT 1RJ. Nearest tubes: Tott Court Road or Goodge Street (Northern Line).

PoetryFilm celebrates films based on poems, poems turned into films, collaborations, text-based films, and other avant-garde text/image material. Events feature short films accompanied by live performances or discussion.

Synopsis: A television show on the Big Bang theory adds to the anguish of not being able to sleep. What would happen to dreaming if time itself disappeared?

Ma vidéo, Insomnie, sera présentée au PoetryFilm lors de l’événement Equinox au Charlotte Street Hotel Cinema, à Londres.

Synopsis: Une émission de télévision sur la théorie du Big Bang vient ajouter à l’angoisse de ne pas pouvoir dormir. Qu’arriverait-il au sommeil si le temps lui-même disparaissait ?

PoetryFilm Equinox
Eventbrite

*Circles, Cycles, Sequences, Planets, Patterns*

A special PoetryFilm event celebrating the Equinox with a bespoke programme of experimental short films, poetry readings and music performances exploring circles, cycles, sequences, planets and patterns.

Time: 7.30pm

Venue: Charlotte Street Hotel Cinema (located downstairs)

Address: 15-17 Charlotte Street, London WIT 1RJ. Nearest tubes: Tott Court Road or Goodge Street (Northern Line).

For further information, please contact Malgorzata at info@poetryfilm.org

Agrandir le plan

*PROGRAMME*

FLOATERS IN THE EYE (Antoinette Zwirchmayr, 3m)
The text of Paul Celan’s poem Schliere (Floaters) is printed with a Braille writing machine onto black leader, thus translating it into Braille writing. The 16mm film is actually readable to a blind person through physical touch, though projected onto the screen the writing transforms into an unidentifiable code of bright spots. These sequences are cut with sewing scenes, the sewing referencing the restrictions of (visual) language to a blind person, and perhaps also the limits of language itself.

THERE IS NO ORIGINAL (dir: Stephen Snell, Steven Chamberlain; words: Steve Coxon; sound: Ohmm, 3m51)
The film was created entirely on sticky tape.

The sticky tape is played through a specially adapted projector which creates unusual visuals. The experimental medium pioneered here lends itself to processes usually associated with montage, direct to film techniques and media specific techniques, notably “flayed paper”.

ONE MOMENT PASSES (words: Robert Lax; computer animation: Susanne Wiegner, 3m)
One Moment Passes is a meditative game of patterns with “is” and “was”; past and present. Three different time layers – the past, present and future – are put on top of each other to create the very moment of presence. The film starts and ends with a step-by-step perception: reading, hearing, seeing.

INSOMNIA (dir: Daniel Dugas, 3m)
Dictionaries hold all the words of languages and images hold all the feelings in the world.  A television show about the Big Bang theory adds to the anguish of not being able to sleep. What would happen to dreaming if time itself disappeared?

Words:

SIMON BARRACLOUGH
Simon Barraclough is the author of Los Alamos Mon Amour (Salt, 2008), Bonjour Tetris (Penned in the Margins, 2010) and Neptune Blue (Salt, 2011). He is the editor of Psycho Poetica (Sidekick Books, 2012) and co-deviser and co-author of The Debris Field (Sidekick Books, 2013).

This evening he will read “the planet suite” from Neptune Blue.

QUANTUM LOVE (dir: Laura Focarazzo; sound art: David Horner, 6m)
Inspired by quantum physics, the film explores the idea of uncertainty.

DRIFT (Mark Khalife, 5m07)
A couple lives on the other side of the world to each other and cannot be awake at the same time. The film explores dualities of time and through a circadian cycle spanning two time zones.

METAMORPHOSE DU PAPILLON (Dir: Pere Ginard and Laura Gines, 5m)
A revision / reinterpretation / rewriting of Gaston Ville’s eponymous film (1906) exploring the cycle of life through metamorphosis.

Words:

Tim Cumming
Tim Cumming was born in Solihull and was brought up in the West Country. His poetry collections include The Miniature Estate (1991), Apocalypso (1992, 1999), Contact Print (2002) and The Rumour (2004). His work has appeared in anthologies including The Forward Poems of the Decade, and Identity Parade (Bloodaxe). He made the acclaimed Hawkwind: Do Not Panic documentary for the BBC in 2007 and writes regularly for The Independent and The Guardian on music and the arts. His film poem Radio Carbon was premiered at PoetryFilm at the Renoir cinema in 2009.

This evening Tim Cumming will read new poems including Plate Tectonica, which features the mathematical algorithm as a metaphor.

THE SHELL OF THE WORLD (dir. and words: Robert Peake; music: Valerie Kampmeier, 10m39)
A sequence of 7 parts exploring patterns of belonging and alienation. Shot on iPhone and edited on a laptop.

KISSING IN HATS (dir: Stuart Pound; words: Rosemary Norman, 1m30)
The poem is a villanelle, a verse form where the regular repetition of two key lines gives added urgency to what is being said. The effect is intensified by multiple looping of the speaker’s voice as a moving path scans across four line drawings.

ANFORTAS (dir: Carolyn Radio an Alanna Simone; words: Carolyn Radio, 5m24)
The work was originally produced as a 3-channel, 3-wall installation and is being shown tonight as a single film. Anfortas is a stop-motion animation of everyday objects used to convey larger metaphysical ideas. Woven choreographies of red and white items are overlaid with a story intertwining creation myths with a knight’s quest for the transformative vessel.

MY FILM ENTRY (dir: Neil Ira Needleman, 1m50)
The director writes: “It would be too easy to write something here about “life imitating art” or “art imitating life”. But it’s much simpler than that. Here’s how I see it: the world has become a complicated place. Too complicated for me. I now seek solace, salvation and inner peace by performing tasks that are simple and pure. In a complicated and ambiguous world, it doesn’t get any simpler than this. I hope you enjoy it, because as soon as this video is over, the complications begin. Simply yours, Neil.”

Words and Sounds:

NIALL MCDEVITT (15m)
Niall McDevitt is a poet, author of b/w (Waterloo Press, 2010), literary tour guide (poetopography.wordpress.com) and poetry editor of International Times (www.internationaltimes.it).

This evening he will perform with a bodhran drum which is circular and beautifully patterned. His poems will celebrate the millennium, the drum, and the zero

4e festival international de vidéopoésie “por la tierra” (2012)

Evanescencia a été sélectionné pour faire partie du 4e festival international de vidéopoésie POR LA TIERRA. L’événement, organisé par VideoBardo, aura lieu à Buenos Aires en Argentine du 27 novembre au 2 décembre 2012. La traduction est de Maria Fernanda Arentsen, que je remercie ici chaleureusement.

Évanescencia  (2012) 2:28 min

Synopsis : Quelle est cette épouvante, cette épouvantable époque d’évanescence dans laquelle nous vivons ? Tout s’efface rapidement, brusquement. Ce qui s’était posé devant le regard avec tant d’effervescence s’est enfui presque instantanément, a disparu en nous touchant.

Sinopsis: ¿Qué espanto es éste, espantosa época de evanescencia en que vivimos? Todo se disipa rápidamente, bruscamente. Lo que se había posado ante la mirada con tanta efervescencia huyó casi al instante, desapareció tocándonos.

Liste de la sélection

08 OCTUBRE 2012 (from: Videobardo)

Resultados Convocatoria Internacional de Videopoesía – VideoBardo 2012 / Results of International Videopoetry Open Call – VideoBardo 2012
Videos seleccionados para la programación del IV Festival Internacional de Videopoesí­a “por la Tierra”, del 27 de noviembre al 2 de diciembre 2012 en Buenos Aires (Argentina) /// Selected videos for the IV International Videopoetry Festival “for the Earth”, Buenos Aires (Argentina) from 27th november to 2nd december 2012

Por orden alfabético / In alphabetical order

– Alberto Roblest (Mexico), “Pulgarcito”
– Alisson Sbrana (Brasil / Brazil), “Profana Vía Sacra”
– Andrea Pagnes & Verena Stenke (Italia & Alemania / Italy & Germany), “Sin fin”
– Ángel Pastor (España / Spain), “Caigudes”
– Antonio Alvarado (España / Spain), “Mujeres fumadoras”
– Antonio Alvarado (España / Spain) “Mujer de materia gris”
– Art al Quadrat (España / Spain), “Sanación”
– Avanca – Carlos Silva (Portugal), “Terram, terra e mar”
– Bárbara de Azevedo (Brasil / Brazil), “Macro sobrevivencia”
– Bartolomé Ferrando (España / Spain), “Xifres”
– Blick (Francia / France) “Merci”
– Bridget Sutherland (Nueva Zelanda / New Zealand), “Twelve hours of daylight”
– Carola Reboredo (Argentina), “Challwa”
– Caterina Davinio (Italia / Italy), “The first poetry space shuttle landing on second life”
– César Espino Barros (Mexico), “Mystic Sex”
– Daniela Novoa Mahecha (Argentina), “Agua”
– Daniel Dugas (Canada), “Evanescencia”
– Danny Winkler & Emilia Loseva (Inglaterra & Rusia / UK & Russia), “Twelve haikus in lethargy”
– Diego Fiori (Italia / Italy), “Rebus”
– Dier (España / Spain), “Todos esos momentos se perderán”
– Eduardo Romaguera (España / Spain), “Pez”
– Eduardo Romaguera (España / Spain), “Captcha”
– Erdem Şimşek (Turquía / Turkey), “Remaining birds song”
– Erena Tarha (España / Spain), “Sueño tierra”
– Fausto Grossi (Italia / Italy), “Everything is possible… do it”
– Federico Tinelli (Italia / Italy), “Extra Heimat”
– Fiona Tinwei Lam (Canadá), “Aquarium”
– Fundación Hölderlin (Argentina), “Empédocles”
– Fundación Hölderlin (Argentina), “Las aventuras de Gatucho”
– Gabriela Alonso (Argentina), “Aguas del Rí­o de La Plata”
– George Aguilar (EE.UU. / USA), “Elegantly forbidden”
– Gerard Wozek & Mary Russell (EE.UU. / USA), “Apocrypha”
– Graciela Gutiérrez Marx (Argentina), “Arte Correo”
– Gruppo Sinestetico (Italia / Italy) “Homage to Joseph Beuys”
– Gustavo Schwartz (Argentina), “Madrecita”
– Gustavo Schwartz & Liliana Lukin (Argentina), “Lo que goteas”
– Henry Gwiazda (EE.UU. / USA), “The Process”
– Ignacio Mendia (Argentina) “Parásito polilla corazón”
– Jakob Kirchheim & Teresa Delgado (Alemania / Germany), “Terrorsounds”
– Jan Peeters (Bélgica / Belgium), “Meine heimat”
– John Bennet & Nicolas Carras (EE.UU. & Francia / USA & France), “4 short pieces”
– Jorge Daffunchio (Argentina), “Mímesis”
– Jorge Daffunchio (Argentina), “OK John, Paul… lo hice”
– Karina Vasquez, Paula Balfagon & Diego Gómez (Argentina), “Tiempo y diálogo”
– KirsiMarja Metsähuone (Finlandia / Finland), “Roam”
– Lisi Prada (España / Spain), “Un minuto de tregua”
– Lola López-Cózar (España / Spain), “Principios”
– Lucas Turturro (Argentina), “Cubicaja o del encierro”
– Luz Rapoport & Guadalupe Muro (Argentina), “Cactus”
– Mar Garrido (España, Spain), “La casa de la playa”
– Mark Sutherland & Paul Giaschi (Canadá), “The Abysmal Legacy of Metropolis”
– Markus Keim (Austria), “Vanishing Point”
– Mónica Barros (Chile), “Subtodo”
– Muriel Montini (Francia / France), “Les jeux d’énfants”
– Natalia Rizzo & Eduardo Basualdo (Argentina), “Un par de cositas nuestras”
– Natalija Ž. Živković (Serbia), “Inbreathe 2″
– Natalija Ž. Živković (Serbia), “The science about the street”
– Nicola Frangione (Italia / Italy), “Incorporalitá”
– Olga Tzimou (Grecia / Greece), “You cannot be known”
– Protasia & Agripino (España / Spain), “Las islas”
– Rafael Álvarez Domenech (Cuba), “Azelvizaje”
– Rafael Álvarez Domenech (Cuba), “Para Performance”
– Rafael Álvarez Domenech (Cuba), “Sin Título”
– Rainer Junghanns (Alemania / Germany), “GMT + The voyage in sequences”
– Ralph Kistler (Alemania / Germany), “Social Netwalks”
– Roberto Santaguida (Canadá), “Haikus of karaoke”
– Roberto Sechi (Brasil / Brazil), “H mudo”
– Roberto Sechi (Brasil / Brazil), “Soneto d’alcova”
– Rodolfo De Matteis (Italia / Italy), “Oda a la Tierra”
– Ruggero Maggi (Italia / Italy), “En los pliegues del tiempo y del espacio”
– Sarah Tremlett (Inglaterra / UK), “She / Seasons / Contemplating Nature”
– Slawomir Milewski (Polonia / Poland), “Ecstasy of St. Agnes”
– Sonia Bertotti (Argentina), “Puntada”
– Susanne Wiegner & Robert Lax (Alemania / Germany), “Just midnight”
– Tom Konyves (Canada), “All this day is good for”
– Video Out – Jennifer Campbell (EE.UU. / USA), “Precipitate”
– Video Out – Jennifer Campbell (EE.UU. / USA), “Point no point”
– Wei-Ming Ho (Taiwan), “The Art-Qaeda Project”
– Yael Rosenblut (Chile), “Escena pasional del arte”

Hublot (2012)

Hublot est une dérive sur Le Rossignol, un texte de Anton Delvig mis en chanson par le compositeur russe Alexander Alyabyev en 1825. Le poème parle de la voix envoûtante du rossignol, une voix capable de traverser les océans et de remplir de joie le cœur de ceux qui l’entendent. Cette pièce fut composée par Alyabyev pour la plus aiguë et la plus agile de toutes les voix : le soprano colorature.

La bande sonore de la vidéo est un enregistrement de 1952 que ma mère Corinne Melanson Dugas, elle-même soprano colorature, enregistra à Montréal avec la pianiste Bernice LeBlanc.

Hublot (2012) from daniel dugas on Vimeo.