(FMK) Karaoke du marché libre (2007)
Free Market Karaoke (2005-2009) from Daniel H. Dugas on Vimeo.
• Subterfuge – Galerie Sans Nom, Moncton, NB, 30 novembre 2007
Paysage sonore crée lors d’une performance à la Galerie Sans Nom, Moncton, Nouveau Brunswick dans le cadre de l’exposition de groupe célébrant le 30 e anniversaire de la GSN. La pièce a été crée avec de l’information des marchés à termes (futures market)
EMMAX (2003-2006)
Emmax was created on September 2003, in Calgary, Alberta, Canada under the umbrella & support of EMMEDIA. Emmax is a club / group / community of people who are interested in working / playing / learning and sharing ideas and exploring with Cycling74 MAX MSP and Jitter software
Founding members: Ken Buera, Daniel Dugas, Jim Goertz, David Kim, Valerie LeBlanc and Don Simmons.
EMMEDIA Gallery & Production Society gratefully acknowledges the invaluable support of The Canada Council for the Arts, The Calgary Community Lottery Board, The Alberta Foundation for the Arts, The Calgary Region Arts Foundation, The National Film Board of Canada, Webcore Labs, The Alberta Media Arts A lliance Society, our many dedicated members, artist-producers, volunteers and the Calgary community.
last update: jan 2006
Caroling with Emmax – Dec 23, 2003
Participants: Ken Buera, Daniel Dugas, Jim Goertz, Don Simmons
Ledgefest festivalof ambient music: Jan 9 – 12, 2004
Participants: Ken Buera, Daniel Dugas, Jim Goertz, Don Simmons
Birthday song – The New Gallery, Jan 17, 2004
Participants: Ken Buera, Don Simmons
Not White Noise – Bubonix Tourist & Birds and Stone, Dec 19, 2004
Participants: Ken Buera, Kay Burns, Daniel Dugas, Jim Goertz, Valerie LeBlanc, Don Simmons
Silencing Critical Art, Jan 20, 2005
Participants: Ken Buera, Don Simmons
Localective, Jan 23, 2006
Participants: Tyler Johnson, Dallin Ursenbach, Anthony Gasca, Tammy Kahn, Brendan Baudat, Amanda Henderson, Sarah Houle-Lowry, Bogdan Cheta, Jena Walker, Maria Cucueto, Robert Harpin
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FMK (2005-2007)
• Transitio Festival, Mexico City, MX, 2007
• Galerie Sans Nom, Subterfuge, Moncton, NB, 2007
• Mayworks Festival, Calgary, AB – May 1, 2005
• Sound Bites, NSCAD + Centre for Art Tapes, Halifax, NS – July 15, 2005
• Faucet Media Arts Centre, Sackville, NB – July 17, 2005
Free Market Karaoke (FMK), is both a series of real-time interactive soundscapes and a computer program. The program allows me to create real-time interactive soundscapes based upon the financial data of companies trading on the Dow Jones Index. Companies generate wealth for their shareholders and an abundant flow of data. This information is continually streaming out in real-time (minus a 15 minute delay) from the World Stock exchanges and is displayed on various web sites on the Internet. Investors and brokers are in this game to make a buck, to make their investments grow as much as they can; the bigger the better as the saying goes. They do not usually orchestrate their movements with one another to create sense on a language level. The money is the meaning of their entreprise, the only pattern worth wearing, the reason to exist. My role in FMK is mainly that of a remixer. My decisions are directed in the reorganization of incoming data into musical events. I am on the lookout – ‘the ear-out’ – for rhythms, textures, ups and downs, anything that seems to be talking. I want the digits to sing and dance, to laugh and to cry. I want to see life-savings sounds roll in and out like a fog bank that envelops a small coastal town. I want to hear the investors’ roar like the turbines of a space shuttle racing through the earth’s atmosphere upon re-entry. I want to transform big time brokers into bees flying in a field of brightly colours flowers, into dust trapped inside the vacuum of a Dirt Devil, into oil seeping out of the ground, into the wind blowing inside a cave, into the electricity singing through wires.
These soundscapes were created with the software Max/MSP in conjunction with Charles Hines’ QuoteFiler 1.31. I used the output data from: YAHOO CURRENT QUOTE VARIABLES, the Last Trade Price, the Day High, the % Change of a share and so on, to manipulate audio signal and MIDI information.
Daniel H. Dugas
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