May 7, 2005
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FMK (2005-2007)

• Transitio Festival, Mexico City, MX, 2007
• Galerie Sans Nom, Subterfuge, Moncton, NB, 2007
• Mayworks Festival, Calgary, AB – May 1, 2005
• Sound Bites, NSCAD + Centre for Art Tapes, Halifax, NS – July 15, 2005
• Faucet Media Arts Centre, Sackville, NB – July 17, 2005

Free Market Karaoke (FMK), is both a series of real-time interactive soundscapes and a computer program. The program allows me to create real-time interactive soundscapes based upon the financial data of companies trading on the Dow Jones Index. Companies generate wealth for their shareholders and an abundant flow of data. This information is continually streaming out in real-time (minus a 15 minute delay) from the World Stock exchanges and is displayed on various web sites on the Internet. Investors and brokers are in this game to make a buck, to make their investments grow as much as they can; the bigger the better as the saying goes. They do not usually orchestrate their movements with one another to create sense on a language level. The money is the meaning of their entreprise, the only pattern worth wearing, the reason to exist. My role in FMK is mainly that of a remixer. My decisions are directed in the reorganization of incoming data into musical events. I am on the lookout – ‘the ear-out’ – for rhythms, textures, ups and downs, anything that seems to be talking. I want the digits to sing and dance, to laugh and to cry. I want to see life-savings sounds roll in and out like a fog bank that envelops a small coastal town. I want to hear the investors’ roar like the turbines of a space shuttle racing through the earth’s atmosphere upon re-entry. I want to transform big time brokers into bees flying in a field of brightly colours flowers, into dust trapped inside the vacuum of a Dirt Devil, into oil seeping out of the ground, into the wind blowing inside a cave, into the electricity singing through wires.
These soundscapes were created with the software Max/MSP in conjunction with Charles Hines’ QuoteFiler 1.31. I used the output data from: YAHOO CURRENT QUOTE VARIABLES, the Last Trade Price, the Day High, the % Change of a share and so on, to manipulate audio signal and MIDI information.

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Daniel H. Dugas

Artiste numérique, poète et musicien, Daniel H. Dugas a participé à des expositions individuelles et de groupe ainsi qu’à plusieurs festivals et événements de poésie en Amérique du Nord, en Europe, au Mexique et en Australie. Everglades, coécrit avec Valerie LeBlanc, vient de paraître aux Éditions Prise de parole.

Daniel H. Dugas is a poet, musician, and videographer. He has participated in solo and group exhibitions as well as festivals and literary events in North America, Europe, Mexico and Australia. His tenth book of poetry, co-written with Valerie LeBlanc, Everglades has just been published by Les Éditions Prise de parole.

Everglades
À partir de leur exploration du parc national des Everglades, Daniel H. Dugas et Valerie LeBlanc cartographient dans cet essai poétique les effets de la présence humaine sur le milieu naturel, les traces qu’elle y dépose. Everglades est une ode à la beauté, à la fragilité et à la résilience d’une nature aux prises avec une espèce envahissante, la nôtre.

Everglades
Through their exploration of the Everglades National Park, Daniel H. Dugas and Valerie LeBlanc document, in this poetic collection, the effects of human presence in the natural world and the traces left behind. Everglades is an ode to the beauty, the fragility and the resilience of nature faced with the invasiveness of a particular species, ours.

Date : Mars 2018
Genre : Poésie
Collection : Poésie
ISBN : 9782897441029
Français/English

Éditions Prise de parole

http://www.prisedeparole.ca/auteurs/?id=1148

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